Working with directional light can be tricky.įinding a balance between the sky and darker areas of a scene can be hard even during the golden hour. If you’re already out, stick around for a few blue hour photos. Shoot more frames more often to ensure that you capture every change this will give you more options to work with afterward.Īfter the sun sets, you’ll be treated to the “blue hour,” the brief window of time following sunset, when the world is bathed in a deep blue colour. The light is changing every minute - faster than you’ll realise in the moment. Using these golden hour calculators can take some of the guesswork out of the golden hour. There are apps that list sunset times and tell you exactly where the sun will be at any given time or place. If you can’t get there early, prepare by looking at other photographers’ work in the same spot to see what’s been done. Scout your location beforehand and visualise your compositions so you can maximise your time when the golden hour starts. “You need to have an idea of what you want to shoot beforehand.” Prep work can go a long way to make sure you get the results you want: “It heightens the need to plan ahead,” says landscape photographer Steve Schwindt. The golden hour is a short window, after which the sun will slip below the horizon or level off into harsher light after sunrise. “What will happen ten minutes from now is going to be radically different than what happened ten minutes before,” photographer Tina Tryforos says of the golden hour. More than any other time of day, the golden hour puts the photographer in a time crunch. The atmosphere filters out blue light when the sun is closer to the horizon, leaving you with a colour palette that people associate with feelings of happiness and warmth. On the Kelvin colour temperature spectrum, the golden hour light is warmer, with lots of yellows, oranges and reds.
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